Woody Harrelson is incredibly underrated as one of the most versatile and talented dramatic and comedic actors of his generation, both on the big and small screens. In 1985, Cheers faced a casting crisis when beloved actor Nicholas Colasanto died. To replace him behind the bar, they cast an unknown young Woody Harrelson who only went on to be Emmy nominated six times for playing Woody Boyd: Cheers‘ clueless and lovable little brother. But in the 25 years since Cheers‘ end, Harrelson has put together one of the most impressive resumes of any actor working. His range is astounding: from goofball to serial killer to an impressive series of military and law enforcement characters (both good and evil) and back again to goofball. There are some performers for whom it’s a struggle to put together 10 pieces of work and an honorable mention. Woody could have had a whole second list, and he’s only continuing to get better. Continue reading Woody Harrelson’s 10 Best Movies→
You know there’s been a massive shift in the way Hollywood views musicals when a blockbuster Christmas release is marketed on the back of lyricists. The Greatest Showman, Hugh Jackman’s first film post-Wolverine, is a musical “biopic” of circus pioneer and American showman P.T. Barnum. It’s songs are brought to you by the team of lyricists that worked with composer Justin Hurwitz to make La La Land’s magic last year. The Greatest Showman is, by no means, another La La Land. That film was one of strongest films in every aspect of the last few years. The Greatest Showman can be heavy-handed and overly earnest, but it’s well-meaning and charming and-in the end-your opinion of the film probably will rise or fall with how much you like those songs touted on the movie’s poster. Continue reading Movie Review: The Greatest Showman (2017) *Not the Greatest But Pretty Darn Good*→
There are no new, wide releases on the final weekend of 2017. I did neglect to include three films in the 11 movies the opened around the Christmas weekend. Molly’s Game (written and directed by The West Wing’s Aaron Sorkin), All the Money in the World (directed by Ridley Scott), and The Phantom Thread (Daniel Day-Lewis’s final movie) all opened on Christmas Day, and I have placed their trailers below.
Star Wars: The Last Jedi repeated at the box office, but with 11 new competitors and mixed fan reaction, it’s total barely stayed in triple digits at $101 million (though that number is in contention; some have it at $99 million). This was enough to make Episode VII already #3 in 2017 domestic box office and it will pass Wonder Woman for #2 this weekend. Internationally, the film has made $815 million, and will likely move from #10 to #4 for the year by weekend’s end. We’re one weekend away from a 47-5 record for the year and a 90% prediction rate so I’m staying with The Last Jedi for at least one more week, but this weekend will be where we see just how the split in the fan base affects the box office.
VOTE VOTE VOTE! If you haven’t already voted, The Last Jedi review poll will remain up until January 5th. Currently 1/10 is winning followed by 10/10. Every number from 1-10 except one has been used to rate this film which is polarizing the Star Wars fan base. Don’t wait, get your vote in before the polls close.
Following this poll will be the Most Anticipated Films of 2018, and the our biggest poll of the year: our SIXTH annual reader’s choice for Best Film of the Year (which has been won the last two years by Star Wars films…though that’s not looking like a solid lock this year).