Just as The Godfather Part II was a pioneer in showing what a sequel could do in terms of equalling (in some minds surpassing) the original film, The Godfather Part III is one of the first instances of what is all-too-common now: an unnecessary franchise film. Made 16 years after the second installment, the ground The Godfather Part III treads is unnecessary to fleshing out Michael’s character. If you take the trilogy as a whole, I think it diminishes Michael’s story arc to see him in his dotage trying to avoid damnation while being dragged back to his true nature. The second film showed the consequences of his choices without having to check back in on him as a senior citizen.
Making the film in the first place was a misstep, but Coppola made an even bigger one when in the most famous case of film nepotism he cast his daughter Sofia as Michael’s daughter when Winona Ryder had to drop out of the film. Though she’s proven to be a chip off the block in the directing department, Sofia is not an actress and her painful inability to act robs the plodding film of what should be its most poignant moment. What IS unforgettable and iconic about the film is Al Pacino’s monologue about being dragged back into the real family business. Pacino’s made a career out of iconic monologues, and whatever your other problems with the third Godfather, no one can deny the greatness of this scene.