One last trailer….someone had an interesting thought the other day when I was talking to them that if you painted the Kryptonian battle armor (the clear stuff) purple and green, it bears an uncanny resemblance to a power suit worn by a certain bald gentleman who may trouble our hero in later films….
Despite the leaked scripts and development documentation from Star Wars: Reclamation, an animated series that would bridge Episodes VI & VII, it looks like the first animated series that will attempt to staunch the bleeding wound in our hearts left by the cancellation of Star Wars Clone Wars will be Star Wars: Rebels. The series will take place in the 20 year time frame between Episodes III and IV and will begin airing on the Disney Channel in fall 2014.
Production has begun on Star Wars Rebels, an exciting, all-new animated television series based on one of the greatest entertainment franchises of all time. Scheduled to premiere in fall 2014 as a one-hour special telecast on Disney Channel, it will be followed by a series on Disney XD channels around the world.
Leading the development of the series is a creative team of exceptional talent. Screenwriter/producer Simon Kinberg (X-Men: First Class, Sherlock Holmes, Mr. & Mrs. Smith) is an executive producer on Star Wars Rebels and will write the premiere episode. He is joined by Dave Filoni as executive producer, who served as supervising director of the Emmy nominated Star Wars: The Clone Wars since 2008. Executive producer Greg Weisman brings with him a wealth of animation experience with credits such as Young Justice, The Spectacular Spider-Man and Gargoyles.
Gary Marsh, president and chief creative officer, Disney Channels Worldwide, said, “The entire team at Lucasfilm has provided extraordinary creativity and innovation for over three decades, and we’re thrilled to be bringing the expansive and imaginative world of Star Wars to Disney XD’s viewers.”
“I couldn’t be more excited to explore new corners of the Star Wars universe,” said Kathleen Kennedy, president, Lucasfilm. “I think Star Wars Rebels will capture the look, feel and fun that both kids and their parents love about Star Wars.”
There aren’t too many legitimate literary superstars left. Dan Brown, by the way, is NOT a literary superstar. I’ll sometimes read a Dan Brown book for the same reason I watch Plan 9 From Outer Space. It’s hysterically bad. It’s so bad it’s compelling. And I won’t knock that. It’s kind of it’s own genre. But it’s not literture.
This month is a wealth of riches for me as my two of my favorite active authors: Neil Gaiman (next week) and Khaled Hosseini release new novels for the first time in years. Most are familiar with Hosseini (if not by name) than through his debut novel, The Kite Runner, and it’s movie adaptation. The movie was fine, but it can’t hold a candle to Hosseini’s beautiful prose in the midst of stark brutality; something he continued in his equally masterful second book: A Thousand Splendid Suns. If you like to read, I cannot recommend an author more highly. Period. My copy just downloaded to my Kindle, so I’m including this morning’s advance review from The Washington Post by Marcela Valdes. I’ll try to get my own up when I finish it. I’m ripping through The Emperor’s Soul by Brandon Sanderson now, but this is next.
Washington Post Book Review by Marcela Valdes
Nuance is rare on the bestseller list. In most cases, ambiguity is stripped away to appeal to the greatest number and lowest common denominator. So it always renews my faith when a popular novelist shows a decided preference for moral complexity. It suggests that readers crave more than simplistic escape. Or perhaps it just means that some writers, like Khaled Hosseini, know how to whisk rough moral fiber into something exquisite.
Hosseini’s first two novels, “The Kite Runner” (2003) and “A Thousand Splendid Suns” (2007), spent a combined total of 171 weeks on the bestseller list. He knows how to please a crowd. In his case, the secret ingredient might be intense emotion. I’m not an easy touch when it comes to novels, but Hosseini’s new book, “And the Mountains Echoed,” had tears dropping from my eyes by Page 45.
The killer scene is set in Kabul in 1952, in a home so heavy with fruit trees and privilege that when 10-year-old Abdullah crosses its threshold, he feels as if he has entered a palace. Abdullah is the son of a broke day laborer; his mother died giving birth to his sister, Pari. The previous winter, the cold seeped into his family’s shack and froze his 2-week-old stepbrother to death. Now his father has walked Abdullah and Pari across miles of desert, from their tiny village to the great city of Kabul, in hopes that one brutal act — a bargain with two rich devils — will save their family from the next ruthless winter. Later, Abdullah will think back on that terrible afternoon and remember a line from one of his father’s bedtime stories: “A finger had to be cut, to save the hand.”
Fingers are sliced off in almost every chapter of Hosseini’s novel. Again and again, his characters face a test of love: Will they sacrifice their dearest for a better life, or will they remain loyal at the cost of their own happiness? In every case, someone’s getting damaged. “When you have lived as long as I have,” one character says, “you find that cruelty and benevolence are but shades of the same color.”
Like Jennifer Egan’s “A Visit From the Goon Squad,” Hosseini’s novel is built as a series of tales, each told in a different style from a different point of view. Chapter 3, for example, takes place in 1949, when Abdullah’s plain stepmother falls in love with the same man as does her gorgeous twin sister. Chapter 7 happens in 2009, when the son of a former mujahideen realizes that his father’s mansion is his mother’s prison.
In less skillful hands, this structure might seem more like a compilation of short stories than a novel. But Hosseini carefully divvies up details about the circumstances preceding and following Abdullah and Pari’s fateful afternoon, giving the book a satisfying sense of momentum and consequence.
One of my favorite chapters revolves around a doctor who, like Hosseini, is born in Afghanistan and educated in California. In 2003, the doctor visits Kabul with his cousin, a sexy used-car salesman. Soon after he arrives, he sees a young girl who was mutilated by a relative during a land dispute. Uneasy with his cousin and uncomfortable in war-ravaged Kabul (his money makes him the target of beggars), the doctor begins visiting the girl in the hospital. Soon, she’s calling him “Uncle” and he’s promising to bring her to America. The day before he leaves Kabul, he tells her nurse, “The operation she needs? I want to make it happen.”
Then Hosseini twists the screw. On the first day home, he’s disgusted by his profligacy: “For the price of that home theater we could have built a school in Afghanistan.” But the doctor’s humanitarian infatuation wears off. A month later, he’s snug in his wealth again: “Everything he owns he has earned. . . . Why should he feel badly?” By the end of the chapter, not only has Hosseini complicated our ideas about generosity, he’s also poured acid over the doctor’s cozy justifications and revealed the fierce intelligence inside the wounded girl.
It’s those kinds of twists that made me lie to friends and family to spend more time devouring Hosseini’s book. Over and over again, he takes complicated characters and roasts them slowly, forcing us to revise our judgments about them and to recognize the good in the bad and vice versa.
Take, for example, the glamorous Afghan named Nila Wahdati. In Chapter 2, she’s one of the greedy devils who break Abdullah’s happiness. In Chapter 4, we learn she’s also a tragic, avant-garde poet and a devoted mother. In Chapter 6, she appears as an aging, alcoholic narcissist. Is Nila a good person? She’s a real woman, made of anger, hope, vanity, tenderness, ambition and sorrow. You can love her and hate her at the same time.
It’s hard to do justice to a novel this rich in a short review. There are a dozen things I still want to say — about the rhyming pairs of characters, the echoing situations, the varied takes on honesty, loneliness, beauty and poverty, the transformation of emotions into physical ailments. Instead, I’ll just add this: Send Hosseini up the bestseller list again.
Microsoft has revealed the new Xbox One! The console has instant switching that allows you to jump from games to TV, etc.
EA’s Madden NFL, FIFA, NBA LIVE and UFC are all coming to the Xbox One this year. Microsoft Studios announced that Forza Motorsport 5 is coming. Remedy revealed footage from a new game title Quantum Break.
Oh WOW. Steven Spielberg produced live action HALO TV series coming exclusively to XBOX .
Really making this a focus on specs and entertainment hub value. E3 is in 18 days and we’ll see a lot more there.
NO always on requirement!
MOTHERTRUCKER…..no backward compatibility. So why buy any more DLC or 360 content??? Nothing on gamertag/achievement transfer. This really blows.
Blu Ray drive and lots of focus on cloud storage. For a complete rundown of specs go to http://www.wired.com. They have an exclusive look.
Right now I need to hear a lot more to want one. Visually….it’s kind of ugly. It looks like a freaking Tandy computer with a floppy drive. Maybe E3 will change my mind.
The final weeks of production on the last two parts of Peter Jackson’s new Middle-earth trilogy, The Hobbit: The Desolation of Smaug and The Hobbit: There and Back Again, has officially begun in New Zealand. Jackson himself posted the following message on his Facebook page along with a behind-the-scenes photo that shows him with Ian McKellen’s Gandalf the Grey.
Back on set for our last Hobbit pick ups. Our last ever Tolkien pick ups, in fact. It’s going to be an intense few weeks, but we’re looking forward to shooting some powerful scenes with our great cast. Our next blog is coming soon!