Tag Archives: Great Movie Scenes

My Favorite Scene: The Wizard of Oz (1939) “Somewhere Over the Rainbow”

Something baffling to me is the inability of Hollywood to mine the rich work of L. Frank Baum’s Oz books.  I actually am not a huge fan of the 1939 musical.  As a film buff, I completely acknowledge its importance, but the film never made much of an impact on me other than instilling a deep fear of flying monkeys.  I think it has to connect with you when you’re young and it never did with me.  I do love Oz, though.  I’ve always wondered why they haven’t mined the books (I mean Baum wrote over 20 of them) for other films, but I think the specter of the classic is too daunting.  That’s rubbish to me.  You can make perfectly good stories that take place in Oz and I’m pretty sure at this point nothing is going to diminish this movie in the hearts and minds of the world.  There have been attempts: Return to Oz in the 1980s and the James Franco clunker Oz: The Great and Powerful, but the next attempt to return to the land over the rainbow will be the big screen adaptation of the Broadway sensation Wicked in 2019.


Judy Garland in The Wizard of Oz

While I don’t love the movie, you can’t deny this scene and this song.  It is as iconic a cinematic moment as any that have ever graced the screen.  The song itself has transcended the film and is one of my favorite of all-time (I’m partial to Ray Charles’ cover).  I have no problem with The Wizard of Oz; it just doesn’t hold the magic for me that it does for a lot of people.  Except this scene.  If this scene doesn’t spellbind you; you don’t love movies.
Judy Garland in The Wizard of Oz

My Favorite Scene: The Fugitive (1993) “Gerard Takes Control”

The only Oscar Tommy Lee Jones has won is for his portrayal of US Marshal Sam Gerard in The Fugitive. Nearly 25 years after its release, the film still stands as one of the best action-adventure movies of all-time. Film adaptations of television series are almost uniformly disastrous, but The Fugitive honored the spirit of the 1960s drama, while giving the film a deep humanity. Harrison Ford gives one of his best “action film” performances, and Tommy Lee Jones stole this movie like he was the inside man on a heist. When the film got a sequel (an awful sequel), it was Jones who was featured, not Ford. Upstaging Harrison Ford at the peak of his prowess is no small feat. Jones gave the kind of performance that grabbed the audience by the throat. You could not wait until Jones was back on-screen, no matter how good Ford was as the wrongly accused Dr. Richard Kimble. All it took was for Jones’ US Marshal to amble on-screen, look calmly around the aftermath of Kimble’s escape, and then bark this commanding, funny, compelling and stage-setting set of instructions to every law enforcement officer in the awed gaggle that surrounded him. A great script, some iconic action pieces (the escape, Kimble’s near-suicidal leap, etc.), and Ford showing up with his A-game would have made The Fugitive a really, really good film. Tommy Lee Jones made it a classic.
The Fugitive Theatrical Poster