Sony has released the first full trailer for Venom. The teaser trailer had a good atmosphere to it, but we didn’t actually get to see Venom. Well, we’ve seen him now! There’s a lot about the trailer I like that Spider-Man 3 completely got wrong with the character, there’s also a few things about it that give me pause (not the least of which is that is NOT how I have been saying “symbiote” for 25 years). I like they establish Eddie Brock (Tom Hardy) as a decent guy. I like that Venom is its own personality and that together they are a “we” entity. That’s very true to the comics. I love the look of the character. Some of the F/X seem a little off, but in a trailer six months out that’s tough to judge. It’s recently been reported that Woody Harrelson’s role in the film will be Carnage, but we’ll have to see when Venom hits theaters October 5, 2018.
Continue reading Venom Trailer #1 (2018) “WE are Venom!”
When Alfred Hitchcock was gone, everyone asked who would be the next Hitchcock. When Steven Spielberg lost his touch, people began asking who was the next Spielberg. Christopher Nolan isn’t the next anything. In an age when cinema has become largely cookie cutter, Nolan has risen to become film’s best director, and in 40 years people will be asking who the next Nolan will be. Inception is, in my opinion, Nolan’s best film, and a film so original and yet filled with so many classic elements of different genres that Nolan was able to make his dense script a hook audiences were willing to push themselves to understand. Combined with dazzling visuals, an amazing ensemble, Wally Pfister’s cinematography masterpiece, and a score from Hans Zimmer for the ages and you have one of the best films of the 21st Century…..and the best part is the very last scene. Continue reading My Favorite Scene: Inception (2010) “Time”
Sony has released the first teaser for Venom and it’s a true teaser, giving very little away about the film. Venom, butchered in Spider-Man 3, is one of the most popular villains/anti-heroes (depending on the host) in Marvel Comics, and Tom Hardy is a great choice to embody that. I’m not sure what Sony intends with its Spider-Man-free Spiderverse. I think rather than give Tom Holland up, Disney would rather buy Sony at this point. What we do know about the film is summarized by Coming Soon below. The film also stars Michelle Williams, Riz Ahmed, Jenny Slate, and Woody Harrelson. Venom will hit theaters October 5, 2018.
Continue reading Venom Teaser Trailer #1 (2018) *A Venomless Venom Trailer*
Last week, we took an in-depth look at Inception (click here to read), one of my favorite films of all-time, and timely since Inception’s director, Christopher Nolan, just turned in the best movie I’ve seen this year thus far in Dunkirk. In my article, I mentioned Nolan’s preference for doing any kind of F/X practically rather than with CGI if it can be humanly done (even when it’s flipping a tractor trailer in The Dark Knight). CineFix, who should be paying me to hype them at this point, doesn’t just make great movie lists, it also has a feature called “The Art of the Scene” where they dissect an amazing scene, show you how it was done and why it works in the film. I almost included this behind-the-scenes piece in my article, but it’s a fascinating look at the rotating hallway fight from Inception. Whereas most directors would have inserted the actors into a CGI environment, Nolan went a very different route. It’s a fascinating look at an amazing scene.
This fight uses no CGI other than to remove the wires Joseph Gordon Levitt and the other actors are wearing. A full-scale hallway was built and then put on a giant gimbal which rotated the room. The fight takes place in a critical moment in the final job, when the van that’s carrying the team around has gone off a bridge, creating a zero-G effect that ripples down the various levels of the dreamworld you see in the map. For Arthur (Levitt), who is in the shallowest level, he loses gravity entirely and the result is an amazing fight scene, made all the more amazing when you know how Nolan and Pfister shot it.