Every now and again the messy business of reality intrudes its way into my writing schedule and knocks it right the heck off track. I have an extremely …life-intensive weekend upcoming that will may see sparse posting until Monday. Can’t be avoided. Well, in this case, I actually HAVE avoided it successfully for quite a long time, but my intentionally vague…thing does not dovetail well with breezy, witty cinema banter.
And, no, it is not my annual depression following the release of yet another Transformers film that makes me launch into my “LET’S SHOOT MICHAEL BAY INTO THE SUN!” speech. Though….imagine the YouTube traffic for that video. Given that the current fifth installment in slowly curb-stomping my childhood involves Transformers interacting with King Arthur, and that they’ve STUCK MY LAST NAME ON THE MAIN HUMAN CHARACTER IN THIS FARCE, I could easily go into my annual apoplexy….but, no, we’re breathing, we’re breathing, aaaand there. Transformers: The Last Knight will win the weekend, but its take looks like the record-low reviews (even for Transformers sequels) are catching up with it, but-have no fear-as China seems to love our crappiest films, there will be more than enough overseas gross to continue my annual torment. Cars 3 had an underwhelming opening for Pixar, and I am wondering how much of a drop it will see in week 2. I’m expecting Wonder Woman to keep holding strong with repeat business. Sequel insanity continues next week with Despicable Me 3, which will get an actual column, not a rant (well the rant may be INSIDE the column). Stab the minutes, time killers, stab the minutes.
Brad Pitt has already put together an amazing resume of memorable performances in the 25 years he’s been in Hollywood. Initially ogled more for his looks than talent, Pitt seems to embrace even more challenging roles as he ages, though it looks like he’s going to be on magazine covers for the rest of his life no matter how old he gets. Pitt does a fantastic job of character creation, be it Aldo Raines, Tyler Durden, Billy Beane, Tristan Ludlow, Benjamin Button, or any one of a dozen more memorable screen turns. What people may not realize about Pitt is that he is one of the most powerful producers in Hollywood. Pitt’s won an Emmy, an Oscar, and a Golden Globe, but only the Golden Globe is for acting. Similar to George Clooney and Tom Hanks, Pitt gets deeply involved in projects you may not even realize he’s attached to, and that’s a talent that may even outlive his still vibrant acting career. Continue reading Brad Pitt’s 10 Best Movies
It’s easy to dismiss the Winnie the Pooh books as fluff, and in modern incarnations for kids they’re often presented that way, but they’re absolutely brilliant. Goodbye Christopher Robin, directed by Simon Curtis, and starring Domhnall Gleeson and Margot Robbie, tells the story of A.A. Milne’s creation of the Hundred-Acre Woods and the inhabitants therein. The first trailer is a bit precious, but this is clearly a father and son story, as the stories that Milne told his son (who was actually named Christopher Robin) slowly evolved into a brilliant series of adventures. They’re just fun stories as a child, but read as an adult, you begin to understand that Milne’s Woods are the mindscape of his own child and each character within represents an aspect of his own personality. This reminded me a bit of Finding Neverland, and if it can meet that bar, then it will have succeeded without qualification. Goodbye Christopher Robin opens October 29, 2017. official synopsis below.
GOODBYE CHRISTOPHER ROBIN gives a rare glimpse into the relationship between beloved children’s author A. A. Milne (Domhnall Gleeson) and his son Christopher Robin, whose toys inspired the magical world of Winnie the Pooh. Along with his mother Daphne (Margot Robbie), and his nanny Olive (Kelly Macdonald), Christopher Robin and his family are swept up in the international success of the books; the enchanting tales bringing hope and comfort to England after the First World War. But with the eyes of the world on Christopher Robin, what will the cost be to the family?
A police raid in Detroit in 1967 results in one of the largest and most intense riots in United States history, leading to the federalization of the Michigan National Guard and the involvement of two Airborne Divisons of the United States Army.
After The Hurt Locker and Zero Dark Thirty, you’d think director Kathryn Bigelow would want to make a comedy or a film about ducks, but instead it looks like she’s shining a light on another controversial subject. That’s not a criticism. Hollywood doesn’t take risks with films that might offend or challenge people very often. After tackling the Second Gulf War and the hunt for Osama bin-Laden, Bigelow now highlights a forgotten chapter from one of America’s darkest periods. The phrase “we live in racially charged times” could be applied to literally any decade of American history, but the 1960s were probably the most frightening and volatile. Bigelow highlights the 1967 race riots in Detroit, and the film will vie with The Dark Tower for primacy during the first weekend in August. Starring John Boyega, Anthony Mackie, Will Poulter, and Algee Smith, Detroit opens in theaters August 4, 2017.
Each Thursday we look at what is going to be coming out in theaters this weekend, show you the trailers for the big releases, predict the box office winner and just generally give you enough of a carrot to pull you through the rest of the work week. Pixar has arrived to unseat Wonder Woman, but it’s Cars 3 so…yay? OR you can see Mandy Moore and sharks or a seemingly random Scarlett Johansson movie. Continue reading In Theaters This Week (6/16/2017): Cars 3, Rough Night, 47 Meters Down