Even if I don’t always agree with their actual choices, I admire the ability of WatchMojo to churn out list topics like fortune cookies. Character deaths are tricky. On one hand, a great character death can be a defining moment not just for the story arc of the deceased character but also for every character around them. On the other, if you botch it, people get maaaaaad. WatchMojo hits a number of them in their Top 10: Movie Deaths That Pissed People Off. The list is too heavily weighted toward recent films, and has some duds (is anyone really super incensed over Mortal Komat: Annihilation, Pacific Rim: Uprising, or Godzilla?). It does also make the long-overdue argument that all Kate Winslet had to do to save us from one of the most annoying deaths of all time in Titanic was haul to Leonardo Dicaprio out of the water and spoon. No matter what side of the debate you are on, you have to admit that the deaths of Luke Skywalker and Captain Kirk deeply peeved people. What makes me maddest about character death is when characters die just to fill an unspoken death quota in bigger films. I love Joss Whedon, but he is the absolute worst at this. Whedon blood rage is the only explanation for why Quicksilver had to die in Age of Ultron or, even worse, why Wash & Shepherd Book were slaughtered in Serenity. Which character deaths made you throw things for weeks?
Each Thursday we look at what is going to be coming out in theaters this weekend, show you the trailers for the big releases, predict the box office winner and just generally give you enough of a carrot to pull you through the rest of the work week. This week brings TWO well-reviewed new films into wide release. Continue reading In Theaters This Week (7/27/2018): Mission Impossible: Fallout, Teen Titans GO To The Movies
One of the biggest and most surprising announcements out of San Diego Comic-Con this year was the return of Star Wars: The Clone Wars for a seventh and final season. The Clone Wars was canceled in 2013 after five seasons (a sixth abbreviated season was released on Netflix after cancellation). The Clone Wars animated series was arguably the biggest thing to happen in the Star Wars Universe between the prequel and sequel trilogies. It did a lot of expansion of the roles and stories introduced and left unexplained in the prequel trilogy and probably helped to salvage (or mitigate the damage of) those movies for a large portion of the fanbase. While many of SWCW’s plotlines continued into Star Wars: Rebels, many of the series most important questions were left unanswered. Now that Rebels has finished, SW animation guru Dave Filoni will have the chance to go back and properly finish out Clone Wars. Disney will be premiering a new streaming service next year and 12 final episodes of The Clone Wars are expected to premiere there sometime in 2019.
As Tom Cruise gets ready to sprint into theaters with Mission Impossible: Fallout, it’s worth pregaming with his last really great non-MI film: 2014’s Edge of Tomorrow. Cruise certainly has his offputting personal qualities, but you can’t say the man doesn’t show up to a film set with unrivaled energy. The best roles he’s had blend his affinity for absurd physicality and character work. Cruise, unlike a lot of action stars, actually can act. He may have stopped going for Oscar-type roles, but he’s better than his recently dreary The Mummy or the Jack Reacher duology. Edge or Tomorrow (or Live. Die. Repeat depending on which title you prefer) provides Cruise with the best time travel gimmick since Groundhog Day and a character that plays against his type.
Cruise’s character is EoT isn’t a hero, he doesn’t want to fight, and he starts out as kind of a coward. The “Cruisian Superhero” tropes that Tom usually leans on aren’t anywhere to be found in Doug Liman’s film. Until his character begins his time loop, there isn’t much redeemable in this character. Once he’s trapped, though, he has to go through to get out. Going through, however, in this case, requires a lot of dying. There are some interesting theories on how much time Cruise actually spends trapped in his loop during the film. He dies (resetting his loop) 16 times on-camera in Edge of Tomorrow, but the implication is that’s just a fraction of his journey. Estimates on the IMDB boards on his time looping duration range from 100 days to 1,000 days to 10 years. As he spends more and more time buffing out the dings in his temporal prison, he becomes more and more redeemable and the time forge ends up pounding out one of Cruise’s best and most unlikely heroes by film’s end.