Beauty and the Beast was a polarizing film (that still managed to end up being #8 on the all-time U.S. box office chart). Some felt it bettered the 1991 animated classic, some felt that film could never be touched, and some-like me-feel that both can be spectacular. I don’t think the live-action film surpasses its original the way 2016’s The Jungle Book did, but I loved Beauty and the Beast (you can read my review here), despite some flaws, and a huge reason why is Dan Stevens and his musical number: “Evermore”. Continue reading My Favorite Scene: Beauty and the Beast (2017) “Evermore”→
Each Thursday we look at what is going to be coming out in theaters this weekend, show you the trailers for the big releases, predict the box office winner and just generally give you enough of a carrot to pull you through the rest of the work week. Pixar has arrived to unseat Wonder Woman, but it’s Cars 3 so…yay? OR you can see Mandy Moore and sharks or a seemingly random Scarlett Johansson movie. Continue reading In Theaters This Week (6/16/2017): Cars 3, Rough Night, 47 Meters Down→
Happy Holidays! Your reward for making it through another year is a trip to a galaxy far, far away from your friends at Disney. That’s been the case with The Force Awakens, Rogue One, and the upcoming The Last Jedi. However, in 2018, Star Wars films will move to the summer. Not only is this a grinchly move by Disney, it’s bad business. Disney already produces so many blockbusters per year that they’re beginning to crash into each other’s earning potential. Both Disney Star Wars films made over a billion dollars. That’s largely because they were revisited during the cinematic doldrums of January and February. Moving Star Wars to summer will pit the films not only against blockbuster competition from other studios, it will stunt the box office potential for Disney franchises typically used to summer dominance (The Marvel Cinematic Universe and Pixar Animation, for example). There are three reasons behind moving Star Wars to summer, and in each reason is a counter-argument for why Disney shouldn’t. Continue reading Why Disney Needs to Keep Star Wars at Christmas→
Hero Fan Productions is a channel you MUST be following on YouTube. A week ago, I shared their video “The Last”, which depicts Luke Skywalker’s journey through Episode IV to the trailer to Episode VIII (click here if you missed it). In “The Chosen One”, HFP looks at Luke’s father, Anakin, from Episodes I-VI (and Rogue One) plus footage from Star Wars: The Clone Wars and Star Wars: Rebels. Vader’s legacy still loomed large over his family in Episode VII. Even 30 years after his death, Anakin’s fall was still dividing and hurting his family, the irony being that it was the mad protection of his family that drove him from them into the arms of the Dark Side. Everyone has their own view on the Prequels, but the information provided from them (mostly from Episode III and the 10 years of animated series) makes Vader’s story even more tragic. The notions of “balance to the force” and “the chosen one” appear to be something that we’re going to be dealing with again in The Last Jedi, which is promising the BIGGEST jaw-dropping plot twist in the Saga’s history. HFP does a great job with this (I wish they’d have stuck to using Williams’ score instead of epic music that gets a little distracting), and it gets you thinking about those parts of Anakin’s story that still may affect the stories yet to come.
Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Character actress Renée Victor also joins the cast as Abuelita, Miguel’s grandmother.