This is a companion piece, a sequel really, to a two-part video look at Jim Carrey and what has happened to the actor over the last 15 years. Once the biggest star in the world, Carrey hasn’t made a really quality film since 2004″ Eternal Sunshine of the Spotless Mind, and his career seemed increasingly more desperate and sad until Carrey largely stopped working altogether. His story is inspirational and that was covered in a fantastic video I posted on the site last month. In the discussion on the site about the video, a lot of concern was raised that Carrey, like a lot of comedians might be in danger. People think humor comes from joy. It doesn’t. Humor is the best bad way to deal with enormous pain (I don’t know a good way). People always seem startled when comedians deal with substance abuse or commit suicide, but it’s not surprising at all. Their art is their battle.
I feel much better about Carrey and where he’s at after watching this. I don’t agree with all the conclusions he’s drawn, but-hey-we’re all different. What really resonated with me is right at the beginning when he says basically that if “Jim Carrey” was so easily destroyed in the first place, who was he to begin with? We all make masks of personality to get through certain situations or to deal with certain people. “Fake it until you make it” is a common piece of fortune cookie advice, but its dangerous when the masks become so many or so popular that the real person gets forgotten. I’ve had this happen in my own life when a role or an identity became so integral to what people thought of me, that when it was no longer necessary or sustainable I found myself completely without any self-identity. It seems like the “Jim Carrey” we all thought was authentic turned into a mask that became suffocating to Carrey. I’m glad he was able to get perspective on it, and I’d rather have him happy and not making films than burning himself on a pyre of our own expectations like so many comedians before him.
Hard as it is to believe, this month marks three years since Robin Williams’ left us. Doing this blog, I write about a lot of celebrity deaths, but in the time that I’ve been doing it, and in my life really, the death of Robin Williams hit me like I’d lost a family member. Good times and bad, the man had a boundless joy running through him in such volume that you weren’t sure if it was going to actually make it to his mouth or go bursting out his ears. All that being said, his suicide didn’t surprise me, it just made me profoundly sad. People look at funny people like Robin and think how happy they must be, but humor doesn’t come from happiness; humor is the best bad way to cope with deep pain. The theory being that if you can’t escape your own demons and be happy yourself, maybe you can bring a smile to someone else’s face. I think Williams was happy when he was making others happy, but the need to be ON all the time and to do that must have been tremendously exhausting. I miss him, like I miss a friend gone on before, and this video from Goalcast which manages to take his graduation speech from Jack (NOT one of his better movies) and marry it to a beautiful montage of his career, is just beautiful. I think it’s the way he’d want to be remembered. Then if you find yourself tearing up after the first one, check out this interview with Craig Ferguson a few years before his death and you’ll remember the joy of just watching the man talk. We miss you Robin, and thank you.
The chase scene is an art form within cinema. If you do it right, you can boggle your viewers’ minds with amazing F/X, choreography, and even character development, but if you do it wrong, you just end up with a lot of noise and filler. I think the greatest car chase I’ve ever seen is The Bourne Supremacy‘s Moscow masterpiece. Not only does it manage to top the amazing chase seen from The Bourne Identity, it manages to build Bourne’s character while he’s playing high-speed Russian bumper cars (I wrote separate piece on the scene you can read here). My favorite foot chase of all-time is similar in that aside from being gorgeously shot and exemplary action scene, Casino Royale‘s African Rundown serves as your first introduction to who Daniel Craig’s 007 was going to be (also wrote an article on that one here).
CineFix’s lists are my favorite because of the wide insight over the entire history of film and the different kinds of awards given to earn a place on their “Top” lists. Here they present a primer on cinema’s most kinetic action pieces. It’s a great homage to the chase and the directors who have done it best.
CineFix is, again, for film lovers, one of the best content producers on YouTube, constantly throwing up thought-provoking lists that are unique that each entry on it tends to summarize an entire category. For example, for this Top 10 Shootouts List, there’s battles, international films, science fiction films, westerns, etc. While their lists don’t always line up with what mine would be, I often learn a lot, and at least four from their list would undoubtedly make mine including their #1. First, as a content warning, this is a top ten list about gun violence so it is obviously violent and thus fair warning is given. Continue reading Top 10: Movie Shootouts of All-Time
MrRazNZ has assembled one of the most powerful Star Wars fan videos I have ever run across. Whether you love or hate the Prequel Trilogy, the final showdown between Anakin and Obi-Wan is undoubtedly one of if not the most powerful scene in any of the films. It changed forever how you view Obi-Wan in the Original Trilogy, especially his initial meeting with Luke. This video does an exceptional job, using Williams score (mostly from Episode III’s “The Immolation Scene” track) to weave that initial talk in Obi-Wan’s hut between Luke and Ben with flashing back to the actual events. What was once a whimsical talk between a mysterious man and a young boy is now a only the truth “from a certain point of view” conveyed to a son by the weary and aged warrior who had to cut down his father and watch him burn. There are literally thousands of these kinds of videos on YouTube, but this one is a work of art and does the best job of expounding upon how seeing what happened on Mustafar changes the original film forever for viewers than anything I’ve ever read or seen.