CineFix is back after a long hiatus with a brand new list highlighting the 10 best uses of music in movies, instances where music is used inside the film to further the plot…but not musical numbers or scores. There’s actually a word for this if you want to forgo a rip on your Word-of-the-Day Calendar: Diegetics. Within this concept are a whole lot of extremely specific uses for music in films: music provided by characters in a scene, contrapuntal scoring (or music provided to underscore a scene wildly out of sync with that particular scene’s gravity; think The Mickey Mouse March in Full Metal Jacket or the closing number from The Life of Brian), songs character choose to play that help define that character (ex: Peter Quill dancing to “Come And Get Your Love” in Guardians of the Galaxy), and a whole bunch of more esoteric musical film categories. Diegetics, people.
Diegetic sound. Sound whose source is visible on the screen or whose source is implied to be present by the action of the film: voices of characters. sounds made by objects in the story. music represented as coming from instruments in the story space ( = source music)